Rae Sremmurd is backwards for Drummers Ear, their record label. Rae Sremmurd - pronounced "Ray-Shrim-er," consisting of real life brothers Slim Jimmy and Swae Lee, and newly signed to multi-platinum producer Mike WiLL Made-It’s Eardruma Records - is out to change that. Nestled in the northeast corner of the Magnolia State, and with a population of just over 35,000, indeed, Tupelo, like most small metropolises, is easy to overlook. It’s the home of Elvis Presley, but even for those clued in on that fun fact, it’s safe to say that few, if any, know much more about the city than that.
Hey, you coulda had a check, bitchMy ex-bitch, I'm shinin' on my ex-bitch When I see you in the city, it ain't no hard feelings I know you see me in that 'Rari cause it ain't no ceilings No more overseas shoppin' but yes I'll still take that sloppy Got the Lam bitch chopped, it ain't nothin', I'm the real Hugh HefnerĪnd you didn't work out, that's cool cause my new bitch betterīitch, you busted, it ain't no more red bottoms
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Upgrade everything, new whip, new bitch, new bezel She a dime bitch, ain't too much you can tell her My ex-bitch, I'm shinin' on my ex-bitchMy ex bitch, must have been defective She interruptin' me, countin' my money, I had to start overMy ex-bitch, I'm shinin' on my ex-bitch How you gon' do all of that there and put your head down?Īs a man that's all I really got to say about youĭamn, gon' call my phone askin', "Can we start over?" Shoulda, coulda, woulda, now I'm with my next bitchĪnd you just another name on the checklist Now I'm in the same predicament that you was inīack then when you was fuckin' 'round with herīut now my money long, real, real, real long My ex-bitch, I'm shinin' on my ex-bitchThe ho should've never chose me Album DescriptionMy ex-bitch, I'm shinin' on my ex-bitchMy ex-bitch, I'm shinin' on my ex-bitch Your browser does not support the audio element. The coming-of-age and kinetic SremmLife reminds listeners that jumping into "poppa's chair" was a thrilling mix of pride and new opportunities, plus, the album doubles as a guaranteed party soundtrack. There are moments when the LP feels a bit rushed, but there's also more refinement and purpose here than expected from such a supernova act.
Big Sean's feature lands on "YNO," a crucial cut that's one-part zombie walk, one-part come-up anthem ("Tokyo drift through the hills/Used to have to walk, no wheels"). SremmLife can also be a surprisingly diverse and sure, as "Throw Some Mo" saddles up next to a strip clubbin' Nicki Minaj with so much swagger that no one will bother to check these kid's I.D.s. Stoned roller "Lit Like Bic" is just happy to sit in "poppa's chair" now that these teens are entering their twenties, then "Up Like Trump" spits out witty bits like "I do my own stunts" and "wear my hat to the front, like I drive a truck," and like everything here, it's highly infectious. That latter hit put Rae Sremmurd (or Ear Drummers backwards, a reference to producer Mike WiLL Made It's record label) on the cover of a Marvel comic book relaunching Captain America as a racially diverse title, and in this case, the hype machine and talent work in tandem as SremmLife surrounds its hits with worthy follow-ups. They aren't so gangsta, and their early hits came with arguably "positive" messages when compared to folks like Chief Keef, as the brilliant "No Type" ("I ain't got no type/Bad bitches is the only thing that I like/You ain't got no life/Cups filled with ice and we do this every night") is a booty-fueled ode to keeping one's mind open, while "No Flex Zone" believes it's better to be a "trill ass individual" than a crowd follower. Looking like a combination of Kriss Kross and Das Efx while sounding like neither, Tupelo, Mississippi rappers Swae Lee and Slim Jimmy came on hard in 2014, taking Migos' bright style of trap music and adding a little of David Banner's sway to the bottom end.
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